My mother has been a James Dean fan most of her adult life. He's right up there with Beethoven. Growing up, pictures of Dean would grace our refrigerator (sexy pictures of Beethoven were harder to find). James Dean didn't make many major pictures before he died, so I've seen them all, many times. If it's true that all things have their opposite, then Dean's was Robert Mitchum. My mother hated Robert Mitchum. The mere sight of him revolted her, and she became convinced that he had wronged her in a past life. "It's the only thing that makes sense," she would say, "I can't stand the man." As a result, Mitchum films were never shown at my house. And when I watched the original Cape Fear in college and really liked it, I felt like I had betrayed my mother.
Earlier this year, my mother and I were talking about movies and she mentioned that she had just seen the Cape Fear remake. Very gently, I suggested that she may want to take a look at the original. "But, I have to warn you, it stars Robert Mitchum." Without any hesitation, my mother informed me that Mitchum ban had been lifted. He died in 1997 and, over the years, that strange karmic bond between Mitchum and my mother faded.
I told this story to
Lloyd Robson, a poet from Wales whom I met several years ago in New York City. We had lost touch but, last week, we found ourselves on the same train from DC to NYC. Serendipity. Lloyd was telling me about the projects that had kept him busy these past few years, among them a book on Mitchum. "Did you know that he was a poet?" Lloyd asked.
Apparently, Mitchum was something of a poet prodigy and published his first poems at the age of eight. He continued to write his entire life but was intensely private about his poetry, maybe because it didn't jive with the image of masculinity that he projected on the screen. An image that filled my mother with dread, I might add. Lloyd traced Mitchum's life story, going to the towns he lived in and places he passed through. To get a feeling of the poet in the man.
Links:
Recent Comments