The following links have stayed open in my browser for a week. Their persistence must be noted:
"Some mother hawks and owls are practical optimists, not only halving their brood when necessary but also eating them."
M.A. Sillage de La Reine perhaps like no other fragrances seems to contain and exhibit the perfumery paradox of life contained in death, that of the flowers used to make a perfume. I have never felt so genuinely this impresssion of wearing on my skin the last breath of a flower, its very soul. There is also an inkling of putridity or carnal decomposition in the beautiful aromas that slowly leave their cage and slowly expire on your skin. M.A. Sillage de La Reine can be borderline foul at times evoking the bears' pit at a zoo but from this sublime foulness are also born splendid flowers and complexity.
Versailles, still more than the streets of Paris, was notorious for its stench, born of unwashed bodies, rotting food and festering human and animal excrement. An inveterate bather when the custom continued to arouse mistrust, Marie Antoinette maintained the Austrian standards of hygiene she had been brought up with; her entourage was known by the epithet “the perfumed court”. Years later, ailing, imprisoned, and awaiting judgment, a simple posy would cause her to recall her “real passion” for flowers (a luxury that was immediately withdrawn). At her prime, not least in the gardens of her pastoral retreat, the Petit Trianon, the queen indulged her love of fragrant blooms. “Flowers reigned everywhere,” as de Feydeau remarks. ("Secrets of the Boudoir")
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